Download Stan Getz Doralice sheet music notes and chords for Tenor Sax Transcription. This Jazz composition includes 3 page(s). Free preview. Transpose, save as PDF.

Stan Getz (Stanley Gayetzky, February 2, 1927 Philadelphia – June 6, 1991 Malibu, California) was an American jazz tenor saxophone player. Known as 'The Sound' because of his warm, lyrical tone, Getz's prime influence was the wispy, mellow tone of his idol, Lester Young. His parents were Ukrainian Jews who immigrated from Kiev city, Ukraine in 1903. The family later moved to New York City for better jobs. Stan worked hard in school receiving straight 'A's' on average and finished 6th grade close to the top of his class.

Follow Following Unfollow Stan Getz (Stanley Gayetzky, February 2, 1927 Philadelphia – June 6, 1991 Malibu, California) was an American jazz tenor saxophone player. Known as 'The Sound' because of his warm, lyrical tone, Getz's prime influence was the wispy, mellow tone of his idol, Lester Young. His parents were Ukrainian Jews who immigrated from Kiev city, Ukraine in 1903. The family later moved to New York City for better jobs.

Stan worked hard in school receiving straight 'A's' on average and finished 6th grade close to the top of his class. Read more on Last.fm.

If you're familiar with, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help. You can become a sustaining member for a modest and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. The story of (1927-1991) has to begin with. Before Young, tenor sax players seemed awash in testosterone.

Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks. Then along came Lester. In the post-war 1940s, he invented a new way to play the tenor sax: softly, effortlessly, with no wasted notes, and above all, without drama. There was emotion, of course, but it was kept under wraps.

Cool, in other words. And this approach didn't end with Lester. He became the musical role model for Getz and a generation of tenor sax players who aspired to coolness. Getz had a long and remarkably successful career, stretching from the very early 1950s to 1991, the year he died. After honing his skills with the and bands, it didn't take long for him to achieve fame as a tenor sax phenomenon. Getz's warm, pure tone, and the lightness of his touch, set him apart early. And with the remarkable sales of his Grammy-winning bossa nova albums, he achieved a level of commercial success seldom experienced by jazz musicians.

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