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The Hottest Collection Of Royalty Free Reggae Music On The Net! The Dub Reggae Kit Sizzles With Hard Hitting Reggae Loops! Now All Reggae Singers, Songwriters, And Digital Music Producers Have A Huge Headstart On Reggae Productions! Hundreds Of Booming Reggae Bass Loops Hard Hitting Drumloops (complete with breakdowns) Sizzling Percussion Loops and Organ Bubble Progressions A Unique Collection of Reggae Style Soundfonts (with a rare melodica!) Learn Reggae Chord Progressions and Become a Better Musician! Easy To Learn Piano Lines A Dub Manual Packed With Professional Dubbing Techniques.

Jun 22, 2015 - Exclusive Free Sample Pack: I sampled 150 of the best reggae fills I could find from some of the best classics out there. All are warped & ready. This Reggae drum kit (pack 1) contains various samples such as rim shots, kicks, hi hats, snares, toms, shakers and more. It is a nice kit for starters who wish to produce Reggae music digitally. Download it now and enhance your Reggae productions.

Listen to a demo of the Dub reggae kit. Irie and Dubful Greetings! Thank you for your interest in this loop set brought to you by ReggaeLoops.com. The loops are created by Messian Dread (drums, percussion), Sure Dread (Keyboards) and Imro Fedor (conga) and Irie Styles (keyboards+producer).

Messian Dread is a pioneer in Dub creations on the computer. His midifiles are spread all over the Internet and his mp3 files are a regular guest in Dub download charts. He has shown with his works, that good dub music can be constructed with a computer. Sure Dread is a very good keyboard player, as you can hear in the loops, his organ bubbles are as authentic as reggae shuffles can be. His melodic reggae is downloaded a lot of times every day. Imro Fedor is the drummer for Jah Roots, and he is also a good conga player. Click above for an audio demo of the Dub Reggae Kit How Are The Beats Divided up?

You can roughly divide the loops in two main sections: midi and audio. The midiloops are all set at a base tempo of 160 BPM, but the advancement of midi over audio is that you can easily change tempo to make it fit your own mood and inspiration.

You’ll find a great variety of authentic reggae drums in different styles: from the meditative one-drop to the highly dancable rub a dub rhythms to militant steppers. The loops also come in both triplets (“swing”) as well as straights so you’ll have lot’s to choose from.

The audioloops consist of ten construction kits, each having their own speed and feel (straight or swing). How many loops? In each kit you’ll find 25 loops in CD Quality Wav format. They consist of 4 basslines and accompanying organ shuffles and skank hits, easily labeled (1a, 1b, 2a, 2b), 5 drumloops, five drum fills, and 5 percussion loops. Some rhythms are quantizes, some are not. Every kit comes with a conga loop played by Imro Fedor on Supercussion conga’s. Of course you can use the kit as foundation for a track, and sing or play additional stuff over it.

Here is a scheme of the audioloops. AUDIO LOOPS MELODY: 4 BASS LINES 4 ORGAN BUBBLES 2 CHORD HITS RHYTHM: 5 DRUM LOOPS 5 DRUM FILLS 5 PERCUSSION RIDDIM NR.

SORT STRAIGHT/TRIPLES SPEED (BPM) 1 ONE DROP STRAIGHT 150 2 TWO DROP TRIPLETS 140 3 STEPPERS STRAIGHT 130 4 ONE DROP TRIPLETS 150 5 TWO DROP STRAIGHT 140 6 STEPPERS TRIPLETS 130 7 ONE DROP STRAIGHT 130 8 TWO DROP TRIPLETS 150 9 STEPPERS STRAIGHT 140 10 TWO DROP TRIPLETS 160 Messian Dread about the audio loops Messian Dread: “You can insert the audio loops in your favorite audio sequencer any manner you like: Cakewalk, Cubase, Acid. Make any sequence you like with them by inserting a loop in the 1st count of every 4th measure. It’s important that you set the right volume for each instrument. Normally, put conga’s and other percussion instruments more on the background, the organs a little higher then the percussion, and put in the drums and single skanks pretty loud.

The bass should be omni-present but not so loud that you don’t hear the other instruments. After you’ve created the sequence (is loop-order) of your choice, it’s time to make a dub. There’s not something as a course in Dub, but I can give you some principals. Let your creativety and inspiration do the rest. Dub is created, by taking stuff out. Most of the time, the bass and the drums are playing, while the other channels are being faded in and out. Effects are applied over the drums and the instruments as they fade in and out.