Murphy is an American cinema school student, living in Paris. He had a French girlfriend, called Electra, whom he dated for two years. One day, they met and had a no-strings-attached threesome with another woman, a young blonde Danish teenager named Omi, as a way to add some excitement to their love life. But later, he had sex with her behind Electra's back, as a result of which Omi became pregnant. This unplanned pregnancy ended the relationship between Murphy and Electra on a horrible note, and it forced Murphy to marry Omi. In one morning, Electra's mother, Nora, phones him to ask if he's heard from Electra, because she hasn't heard from her for three months, and given her daughter's suicidal tendencies. For the rest of this day, he recalls his past two years with Electra in a series of fragmented, nonlinear flashbacks; how they first met in Paris, their quick hookup, and their lives over the next two years which is filled with drug abuse, rough sex and tender moments. .

Love is Gaspar Noe's latest film. It's essentially porn.

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Long, drawn out sequences of sex throughout. But there's a story, and that's what could be interesting about this film. Not since the early 70's has pornographic films experimented telling actual stories instead of just getting straight to business. Nymphomaniac is the last film of the modern era that attempted this, and it absolutely blew me away. This would've been fascinating, but instead, it's PAINFULLY boring.

The story line and dialogue sucks. I didn't feel for anyone in this film.

Synopsis IMDB wrote: Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Exclusive Interview – Sofia Boutella on Climax, working with Gaspar Noe, researching hard drugs, elaborate dance choreography and more. Loreo 3D camera to take.

The acting was extremely stilted, but in porn films that's pretty much the norm. The cinematography is the only standout.

It's beautiful to look at, as most Gaspar Noe films are. However, I despised the black screen that would appear every time there was a cut. As well as the many shots of the main character standing inside a doorway with his back turned to the camera, listening to an annoying voicemail.

Why did he do that? Tipovoj proekt polikliniki. Why would he think that would work?

If there's a profound reason for those two editing decisions, I'd like to know. Not that it would make me feel any differently, I still hate it.

Love is not only a missed opportunity, it's a film I'll never remember, or want to remember.