I've played metal, rock, and funk for many years now, but always felt weak on the jazz end of things. I've purchased several books on the subject to try to learn, but at best they gave several scales to learn and said 'play over these chord changes.' I never could get straight in my head how on earth you could know which notes to play when, and more importantly, WHY.

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I could listen to a good walking bass line and know it sounded good, and could listen to MY walking bass line and know it was not good - but that was about it. Thanks to the reccomendations of this forum I puchased Ed Friedland's 'Building Walking Bass Lines,' and am not quite halfway through the book. This is the first time this has ever made sense to me - starting with roots, adding 5ths, and so on. The building block method of this book makes it easy to understand WHY you're playing what you're playing, and the mix of fully written bass lines for you to play verbatim, empty chord charts for you to improvise over, and audio bass tracks to transcribe seem like the perfect tools to help me better understand this.

DOWNLOAD PDF. Report this file. Download Expanding Walking Bass Lines - Ed Friedland Free in pdf format. If you are looking for a book by Ed Friedland Building Walking Bass Lines. Presented the complete variant of this ebook in txt, doc, PDF, ePub, DjVu formats. Free Download Reggae Bass Builders Friedland Ed Book Reggae Bass (Bass.

The audio CD is invaluable as well, so you can actually HEAR what you are doing (and what a 'good' bassline would sound like over the same changes) with or without the bass, instead of just trying to imagine it. I feel like I've already made good progress in the few short lessons I've completed, and am really looking forward to working through the rest of this book. I'd never heard of Ed Friedland before coming to this forum, and just wanted to say 'thanks.' I wish I would have found this years ago.

In my opinion, Ed Friedland's approach with the whole root/fifth method is by far the simplest and most logical method of tackling walking lines. It takes a paradigm familiar to pretty much all forms of music (the root/fifth thing that you can never get away from), and applies it directly to walking lines in a way that's impossible not to understand. From this, it's very easy to apply chromatic and scalar approach notes to and from roots and fifths on weak beats, and walking becomes a very straight-forward 'formula' that's easy to get under the fingers. I've had more luck getting my students walking convincing lines than starting with triadic and seventh-chord arpeggiation.