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Vin Diesel, Paul Walker and Dwayne Johnson lead the returning cast across the globe in their most gravity-defying and emotional adventure yet. Targeted by a cold-blooded black ops assassin with a score to settle (Jason Statham), their only hope is to get behind the wheel again and secure an ingenious prototype tracking device. Facing their greatest threat yet in places as far away as Abu Dhabi and as familiar as the Los Angeles streets they call home, the crew must come together once again as a team, and as a family, to protect their own.

Pictured here in 1965, directed the 1928 film, which is widely regarded as a landmark of cinema. An art film is typically a serious,, aimed at a rather than a. It is 'intended to be a serious, artistic work, often experimental and not designed for mass appeal', 'made primarily for aesthetic reasons rather than commercial profit', and contains 'unconventional or highly symbolic content'. And scholars typically define an art film as possessing 'formal qualities that mark them as different from mainstream Hollywood films'. These qualities can include (among other elements): a sense of; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story.

Film scholar describes art cinema as 'a, with its own distinct conventions'. Art usually present their films at special theaters ( or, in the U.S., art-house cinemas) and at. The term art film is much more widely used in North America, the United Kingdom, and Australia, compared to the rest of Europe, where the term is associated more with and (e.g. German national cinema).

Since they are aimed at small, niche-market audiences, art films rarely acquire the financial backing that would permit large production budgets associated with films. Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors (or even amateur actors), and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions. A certain degree of experience and knowledge is generally required to fully understand or appreciate such films. Film critic called, a critically acclaimed 1994 art film, 'largely a cerebral experience' that one enjoys 'because of what you know about film'. This contrasts sharply with mainstream blockbuster films, which are geared more towards and pure entertainment. For promotion, art films rely on the publicity generated from film critics' reviews; discussion of the film by arts columnists, commentators, and; and word-of-mouth promotion by audience members. Since art films have small initial investment costs, they only need to appeal to a small portion of audiences to become financially viable.

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