Raspinovka na avtomagnitolu shtatnuyu toyota 17809. Gayatri – Pavitra bandham fame Doordarshan lo vachina “Om namah Shivaya” serial lo Parvati Devi character lo baga popular ayyaru Gayatri. Hindi,English,Telugu,Tamil,Marathi,Malayalam,Kannada fluent ga matladagala actress. Apatlo Balaji telefilms south lo produce chesina chala serials.

South Indian Angel and Bollywood Diva born as Shree Amma Yanger Ayyapan (b. 13 August 1963 Meenampatti village, Sivakasi Taluk, Virudhunagar district, Tamil Nadu– d. 25 February 2018, Room No. 2201, Jumeirah Emirates Towers Hotel, Dubai, UAE) Personality: She was always a quiet, childlike person behind the camera. Sreedevi rarely gave interviews, and kept away from media gossip that circulated over the years She had a reputation for being a spontaneous and obedient actress who took very few takes to achieve the desired performance, was a professional on the sets, and submitted to her director’s orders.Despite her showbiz environment and tremendous stardom, she manages to keep herself oblivious to all the irrelevant happenings around her and keeps herself perfectly intact.She hates celebrating her birthday. Sreedevi’s confidence and self-assurance shone in these male-centric films. She was often cast as the voice of conscience and the empathetic foil to the angst-bitten hero, and she admirably held her own.

From Kamal Haasan to Rajinikanth to Anil Kapoor, the actress managed to shine bright with her stellar performances. She rose from being one of the most highly paid child actors to a leading lady in the screens; and later, one of the highest paid Bollywood actresses between the years 1985 and 1992. Introduction: Growing up in the seventies and eighties, in Madras, meant you grew up with Sreedevi. Actors and actresses, those days, made a ton of movies a year, working in multiple shifts, across multiple languages. So Sreedevi was everywhere in Tamil and Telugu cinema. It was a time Tamil cinema was changing. Directors like Bharathiraja, Mahendran and Balu Mahendra — even K Balachander, whose seventies’ style is markedly more “cinematic” than what he did in the preceding decade — were finding ways of expression that were different from those of melodrama monarchs like P Bhimsingh.

And Sreedevi fit into that mould as well. She fit into every mould, really. As a Child Actress: Tamil Sreedevi started her career as a child actor at the age of four in the Tamil movie Thunaivan (English: Companion) a 1969 Indian Tamil Hindu devotional drama film. She played the role of young Lord Muruga Directed by M. Thirumugam and produced by Sandow M. Chinnappa Thevar. Baby Sreedevi’s second film was 1969 Tamil film Nam Naadu directed by Jhambuligam was.

She played the nephew of MG Ramachandran and Jayalalithaa.She acted in the Tamil film Aathi Parasakthi (1971) as Lord Muruga. Jayalalithaa played the role of Goddess Parvati and Gemini Ganesan was Shiva. As a Child Actress: Malayalam Kumara Sambhavam is a 1969 Indian Malayalam and Tamil film (bilingual), directed and produced by P. The film stars Gemini Ganesan, Padmini, Srividya and Thikkurissi Sukumaran Nair in lead roles. The film is said to be based on Kalidasa’s epic poem ‘Kumarasambhavam.” But the story deviates from this poem by bringing in some stories glorifying the deity. Kumarasambhavam as the trident-holding boyish Balasubrahmanian (lord Kartikeya, the son of Shiva-Parvati) of the Puranas.

The film was released on December 25, 1969.Baby Sridevi’s performance in Poompatta (butterfly) (1971) in Malayalam won her for her role as Sarada Sridevi in Poompatta (1971) the Kerala State Film Award for Best Child Artist in which she had played the lead role of a child, who after her mother’s death, ends up at the household of her mother’s friend, where she has to suffer ill-treatment. The role gave the young star enough space to conjure up all her emotive power on screen. For Malayalam film audiences, Sridevi was always like that lovely creation of the nature with brightly coloured wings. It’s another matter that none expected her life to end prematurely—almost like a moth’s. Kandan Karunai (1967), Nam Naadu (1969), Prarthanai (1970), Babu (1971), Badi Panthulu (1972), Bala Bharatam (1972), Vasantha Maaligai (1972) and Bhakta Kumbara (1974) are the most notable films of her career as a child artist. As a Child Actress: Kannada Bhakta Kumbara is a 1974 Indian Kannada film directed by Hunsur Krishnamurthy.